| Born in Gloucester, England, 1971. Lives and works in London. | |
| FORTHCOMING
EXHIBITIONS & SCREENINGS
|
|
| 2010 | Whitstable Biennale |
| South London Gallery | |
| Bath Media Arts | |
| Phil Coy and Yuko Shiraishi, The Russian Club, London | |
| Volt / USF Gallery, Bergen, Norway (solo show) | |
| SELECTED
EXHIBITIONS & SCREENINGS
|
|
| 2010 | Film & Video - The Russian Club, London |
| 2009 | The Royal Republic - Master Piper, London |
| Stop - Watch FACT, Liverpool, England | |
| 2008 | Summer Screen,Spacex Exeter |
| Aurora Film Festival, Norwich, England | |
| Stop - Watch; Wysing Arts Centre, Cambridge; DCA Dundee; ACMI, Melbourne, Australia; CCA Glasgow, Scotland; Khoj Centre, New Delhi, India; Museo de Arte del Banco de la Republica, Bogota, Colombia | |
| Publish and be Damned, Rochelle School, London | |
| Wordland - Outpost Gallery, Norwich | |
| Wordland - City Projects, London (solo show) | |
| Wordland - LUX Event at The Arcola Theatre, London | |
| 2007 | DiY, Ars Nova Museum, Turku, Finland |
| Intervention, Fieldgate Gallery, London | |
| Publish and be Damned, Rochelle School, London | |
| Place Memory, Site 07, Stroud, UK | |
| 2006 | Phil Coy: Test Signal, Hannah Rickards: Thunder, South London Gallery |
| Phil
Coy & Dave Carbone, Andrew Mummery, London
|
|
| Arcade,
Westbourne Studios, London |
|
| Give
Away ev+a, Curated by Katerina
Gregos, Limerick, Ireland |
|
| Framed,
Slade Research Centre, London |
2005 | Right Brain tests for Artists Drum Lecture with Dave Carbone for Bob & Roberta Smith, Beaconsfield Gallery, London | Index of first Lines - Drum Lecture with Dave Carbone, Museum for Garden History, London | Real
Estate: London in Six Easy Steps, Institute of Contemporary Arts, London
|
Cloud & Vision, Museum for Garden History, London | 2004 | Incommunicado, Haywood Gallery Touring Show; Sainsbury's Centre; Cornerhouse, Manchester, Edinburgh City Museum |
| Pizza Express Drawing Prize Exhibition, Tea Building, London | |
| Like beads on an Abacus designed to calculate infinity, Curated by Andrew Hunt, Rockwell, London | |
| 2003 | Reminisce This - Drum Lecture with Dave Carbone, Artsadmin |
| Exhumed, Museum for Garden History, London | |
| Mientrastanto,
Centro Cultural Conde Duque, Madrid |
|
| A Great Piece of Turf, Danielle Arnaud Contemporary Art, London | |
| 2002 | Acton Crawl, Acton Arts, London |
| KanaNahk / GooseFlesh, Rakvere Art Museum, Estonia | |
| Club, Le Comfort Modern, Poitiers | |
| Minus 20, Gasworks Gallery / www.e-2.org | |
| 2001 | Freebase, Century Gallery, London |
| The
Doughnut Concept, Curated by Mark Beasley – CIDA, London |
|
| Video Screening 01& Basel Art Fair& ARCO Madrid. VTO, London | |
| 2000 | !hah!
Galeria Kipina, Lahti, Finland |
| DVersell,
The Lux Centre for Film, Video & Visual Arts, London |
|
| 1998 | Exhibitionists Festival, Institute of Contemporary Art, London |
| FELLOWSHIPS, RESIDENCIES & AWARDS | |
| 2009 | FLAMIN Productions development and Production award for Facade |
| 2008 | Arts Council (London) and Elephant Trust for production of Wordland |
| 2006 | Elephant Trust grant for production of Test Signal |
| 2005 | Residency at Lambeth Archives |
| 2004 | International Artist Fellowship for residency at Caribbean Cultural Association, Triangle Trust, Gasworks Gallery |
| 2003 | Artsadmin
Bursary |
| 2002 | Visual Artists Grant, London Arts |
| 2001 | ACAVA First Base studio residency award |
| 2000 | Duveen Scholarship, Travel Award to retrace Goethe's Italian Travels through Sicily, Italy and Germany. |
| 1998 | British Academy Professional and Vocational Award |
| New Work and Commissions Award, West Midlands Arts | |
| Production Bursary, VIVID, Birmingham Centre for Media Arts | |
| PUBLIC PROJECTS | |
| 2009 - 10 | Dazzle camouflage in a corporate palette; Lewisham Leisure Centre, London; Future City |
| SELECTED ARTISTS WRITINGS, PUBLICATIONS & EXHIBITION CATALOGUES | |
| 2009 | Control, Issue Eighteen |
| 2008 | James Brown was subtitled at his own suggestion; Notes on notes and other non conversations, Artwordspress, London |
| 1km2 Audio Guide for Hackney, edition of 100, Self Published, London | |
| 2007 | Pilot Catalogue presenting 85 artists’ practices launched at Venice Biennale. |
| 2006 | Give Awayev+a Exhibition Catalogue, Essay by Katerina Gregos. Gandon Editions. ISBN 0946846 928 |
| 1km2 Audio Guide for Central London, edition of 100, Self Published, London | |
| 2005 | London in Six Easy Steps, edited by Jens Hoffmann and Rob Bowman, ICA, London, ISBN 1900 300 47 8 |
| 1km2
Audio Guide for Loughborough Junction, edition of 100,
Self Published. London |
|
| Cloud & Vision: Exhibition Catalogue. Texts by Jon Newman and Tracy Chevalier. Parabola | |
| 2003 | Incommunicado; Exhibition Catalogue. Essay by Margot Heller. Haywood Gallery ISBN 1 85332 232 6 |
| Exhumed: Exhibition Catalogue. Museum of Garden History. Parabola. ISBN 0-9537752-9-I | |
| 2001 | Slimvolume Publication. Curated by Andrew Hunt and Helena Sundstršm / Austrian Cultural Forum,Sparwasser HQ, Berlin / Konst-ig Stockholm. |
| The Doughnut Concept: Exhibition Catalogue, Essay by Mark Beasley | |
| 1999 | Binary Propositions: Catalogue Essay: Something out of nothing; Sacha Craddock:ISBN:1236-1798 |
| PUBLIC TALKS & LECTURES | |
| 2007 | Transmission hosted by David Cotterrell. Showroom Cinema, Site Gallery, Sheffield |
| 2006 | The Lambeth Lecture Dan Graham's pavilion Waterloo Sunsetat the Hayward Gallery, London |
| 2005 | International Connections, Arts Council Fellowships, Gasworks Gallery, London |
| Auto-Lecture
(Taking Notes from Gustav Metska, Hewitt & Jordan and Dave Beech
and Loraine Leeson), ICA, London |
|
| Radio Lecture with Dave Carbone, Bob & Roberta Smiths Make your own damn music, Resonance Fm | |
| 2004 | Violent Property (Auto-Lecture), Pavel Buchler talk program, Corner House, Manchester |
| SELECTED REVIEWS | |
| 2010 | Art Monthly, Issue No.334 Film & Video: Reviewed by Sally O''Reilly |
| 2009 | Architects Journal, 'Making Art Happen': Tally Wade p41-44 |
| Metropolis M, Issue No.2 VOICE: Mark Beasley: A performance with effects | |
| 2007 | Turun Sanomat: 16 January. Article about the production of Provincial Landscape by Kaisa Kujanpaa. p.3 & 13 |
| 2006 | Circa Magazine: March – May. Ev+a review by Paul O’Brian. |
| 2004 | Art Monthly: June. No. 277 Like Beads on an ...]: Reviewed by David Barret p.21 |
| The
Spectator: June. Moments of Experience: Essay on the ‘renaissance
of drawing’ by Laura Gascoigne |
|
| The Sunday Herald: Edinburgh 28 March. Incommunicado: Reviewed by Catriona Black | |
| Metro: Edinburgh 19 March. Incommunicado: Reviewed by Alan Chadwick | |
| Untitled: Contemporary Art, No. 31. Incommunicado: Reviewed by Catherine Moseley p.74 | |
| 2003 | Contemporary; Issue. 50. Ben Tufnell. Great Piece of Turf; A Great Piece of Turf. Review. p.83 |
| The Observer Review, 31 August. Liz Hoggard; The old tombs are the best Exhumed. Review. p.10 | |
| The Big Issue: No 551. Helen Sumpter; Dead Good; Exhumed. Review. p.30-31 | |
| Blanco y Negro Cultural. 19 July. Victor Zarza. Parénthesis especial. Mientrastanto. Review. p.30 | |
| El Pais, Madrid, 28 June. Andrea Aguilar. La plaza imaginaria. Mientrastanto: Review p.24 | |
| El Cultural, Spain. 10 July. José Marín-Medina. El arte que más refresca. Mientrastanto. Review.pp.24-25 | |
| El Mundo, Madrid, 25 June. Esther Alvrado. Invadidos por el ocio. Mientrastanto; Review. p.12 | |
| Time Out. Issue. 1711. Crtitics Choice, A - Clips Film section | |
| Guardian Online: Minus 20: Sean Dodson | |
| EDUCATION
|
|
2000 | MA Fine Art, The Slade, University College London | 1995 | Post Diplome, L'ecole des beaux arts, Nantes, France. | 1993 | BA (Hons) Fine Art, John Moores University, Myrtle Street, Liverpool. |